Train tracks: the Austrian experimental filmmaker discusses using found footage to interrogate and play with the past ...

Stop that train: the recursions of a painful past preoccupied many of the best films at this year’s edition of the Czech ...

On fire: at this year’s edition of the festival devoted to rediscoveries and restorations, distinctions between high and low ...

By Grady Hendrix in the March-April 2020 Issue P erpetually out of step, Shinya Tsukamoto goes where his gut leads him, handcrafting freaked-out sci-fi nightmares from 8mm, 16mm, 35mm, digital video, ...

“There are many ways in which Zama, [Lucrecia] Martel’s first feature in nine years, represents a departure for the Argentine writer-director,” I wrote in “When All Is Lost,” my September/October 2017 ...

The results are in for our 2022 poll of Film Comment’s contributors! Our Top 20 lists in both the Released and Undistributed categories feature original appreciations from our critics, as well as ...

Ever since Park Chan-wook’s 2003 Cannes Grand Prix winner Oldboy —a film that epitomized the New Korean Cinema and turned the hammer-wielding Choi Min-sik into an icon—he has maintained a reputation ...

This interview begins a series with influential cinematographers who attended the 2016 Camerimage International Film Festival of the Art of Cinematography in Bydgoszcz, Poland, in November. To ...

On the edge: this year’s competition featured new work from Petzold, Porumboiu, and Hong, as well as new voices from around the world ...

The results are in for our 2021 poll of Film Comment’ s contributors and colleagues! Our Top 20 lists in both the Released and Undistributed categories feature original appreciations from critics, as ...

By Donald Chase in the September-October 1997 Issue N ot long before she died in 1981 at age 57, Gloria Grahame, who had acted in films signed by Frank Capra, Nicholas Ray, Josef von Sternberg, ...

It’s all over. Well, not quite, but the 2010s did come to an end on a note of pessimism about the world, and one of resignation about the film industry’s consolidation and glut of choice. At the same ...