Defying Gravity and Genres: Oscar-Nominated Editors Reflect on Their Creative Journeys
Remembering the first time he read the “Wicked” script, Kerstein says, “I cried at the end, which was a very similar emotion ...
Jacques Audiard & Longtime Editor Juliette Welfling On Making “A Real Spectacle” Out Of Their First Musical, ‘Emilia Pérez’ – The Process
Emilia Pérez's editing is dissected by Juliette Welfling and filmmaker Jacques Audiard for Deadline's The Process.