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P3 Theatre Company proudly presented Tony Santamaure’s cabaret-style musical revue Day After Day (The Life and Music of Doris ...
While Delpy's film opened the festival ... starring Jacob Elordi (Euphoria), Daisy Edgar-Jones (Where the Crawdads Sing), and Mexican rising star Diego Calva (Babylon). Music Icons in the ...
complete with a live vocal performance from some of NYC’s newest emerging talent prior to the film’s start, a mystery goodybag for all attendees and the opportunity for patrons to sing their ...
I know everybody thinks I’m so scary ... I’ve seen a lot of people say that Judy is cast against type in this film but I’ve seen you do so many dramatic roles. Greer: Thank you!
Alex Garland's new film "feels like the most honest depiction of modern warfare I can recall seeing", said Robbie Collin in The Telegraph. Co-written and co-directed by Ray Mendoza, a former US ...
Garland emphasized the film’s commitment to avoiding editorial judgment. “Everything in the film, more or less, is sourced from a first-person account,” he said. “The film is just ...
Judy Garland was a legendary actress and singer who became one of the most beloved performers of the 20th century. Garland’s career skyrocketed after her role as Dorothy in the classic film The ...
“Everybody says they’re willing to sacrifice ... line between being an offensive dynamo and allowing teammates Darius Garland and Evan Mobley the space to flourish, while still actually ...
By Lily Ford Alex Garland is keeping things simple when it comes to talking about his new A24 film, Warfare. The filmmaker, who co-wrote and directed the movie with former U.S. Navy SEAL Ray ...
While filming Civil War, Garland was introduced to Iraq war veteran Ray Mendoza, who’d been hired to make sure the film’s gunfight sequences looked as realistic as possible. In November 2006 ...
On its face, that may not seem to be a novel approach to a war film, but Garland and Mendoza’s relentless pursuit of military “realism” is uniquely weaponized by their refusal to comment on ...
One wonders why Garland and co-director Ray Mendoza have made the film at all when there seems to be not simply an ignorance of the period in question but an active distaste for realizing its real ...
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