Clement Soret talks about his creative freedom on Danny Boyle's zombie sequel and why shooting in iPhones is all the rage ...

The main reason is that the film is full of nature and realism. This is no tech-laden, metallic-hued sci-fi dystopian film; the cast's venture out onto the mainland shows an England where nature is ...

Nine keys to how Danny Boyle and cinematographer Anthony Dod Mantle shot the innovative sequel, as told to IndieWire.

But 28 Years Later is a horror movie and a peaceful two hours watching the Holy Island community is not in store. Instead, get ready for an emotionally intense experience, punctuated by bursts of ...

2.76:1 Aspect Ratio Meets Guerrilla Tech In a bold choice, Boyle and Mantle shot the film in an ultra-wide 2.76:1 aspect ratio. This format is usually reserved for epic films like The Hateful Eight or ...

It goes into how Boyle and his team use the widescreen 2.76:1 aspect ratio to put the audience on edge, and how the movie's story (penned by Alex Garland, like the original) was inspired by major ...

The home media versions of Sinners come equipped with expanded aspect ratios, “allowing consumers to see both 1.78:1 and 2.76:1 aspect ratios, as intended by the filmmaker for home viewing ...

The videos you shoot with the Moment T-Series 1.55x Anamorphic Lens have an aspect ratio of 2.76:1. This gives you that wide, cinematic look often seen in classic Hollywood films. If you're going for ...