Lydie now lives in New York and is expecting a baby with her partner. But she and Agnes are still super-close, and beneath their bubbly and sometimes bawdy banter, we can sense unspoken depths of ...

Writer-director-star Eva Victor grapples with trauma via clear-eyed restraint and tonally precise humor, creating space for the messy ambiguity of the healing process.

“Write what you know” only gets you so far. An awful lot of debut films, even from writer-directors with talent, start from a personal place only to end up at a weirdly impersonal “universal ...

Lydie now lives in New York and is expecting a baby with her partner. But she and Agnes are still super-close, and beneath their bubbly and sometimes bawdy banter, we can sense unspoken depths of ...

There is a simple tattoo of a windowpane on the middle finger of Eva Victor’s right hand. When I ask about it, the filmmaker launches into a story that involves miscommunication with an Italian ...

In this remarkably fully formed debut, the moments that matter are the funny and tender ones that persist amid crueler experiences.

Directing, writing and starring in her debut film, Eva Victor springs fully formed with a triumph: a sensitive portrayal of female friendship and lingering trauma.

When we tell the story of the year in film, “Sorry, Baby” will be an essential chapter and more proof that independent cinema is still the place to find great films.

Victor stages the incident itself brilliantly, which is to say they don't show it at all. Agnes was sexually assaulted by her faculty advisor, yet when it occurred, we're left outside his house ...