I would like to argue that Édouard Manet, that gargantuan of the painting craft, whose masterful work bridged the gap between Realism and Impressionism in the mid-nineteenth century, might well have ...

When Edouard Manet's painting Olympia is hung in the Salon of Paris in 1865, it is met with jeers, laughter, criticism, and disdain. It is attacked by the public, the critics, the newspapers.

Morisot’s style, gentle and unemphatic, is unmistakably Impressionist; Manet, on the other hand, can’t be easily pigeonholed. Following his friend Charles Baudelaire’s rallying cry for art ...

And art is one of the methods invented by humans to record and rekindle it. Manet and Morisot were both key figures in what became the impressionist movement: Manet was the so-called father of ...

There’s certainly no shortage of public interest, judging by the huge response to the Courtauld’s recent Monet in London ...

Max Liebermann was a German-Jewish painter best known as a leader of the Impressionist ... to Édouard Manet in its thick impasto and tonal palette, deftly rendering landscapes and figures with a ...