Artemisia Gentileschi, “Judith and her Maidservant with the Head of Holofernes” (1639 or 1640) (photo by Børre Høstland, all images courtesy the National Museum) ...

Gentileschi's Judith Beheading Holofernes (c. 1612–13) casts the artist as the biblical heroine and her rapist as the Assyrian general. Public domain via Wikimedia Commons ...

/ Courtesy of the Kimbell Art Museum Artemisia Gentileschi (Rome 1593–Naples c. 1653) Judith and Holofernes 1612–17 Oil on canvas 159 x 126 cm Museo e Real Bosco di Capodimonte Inv. Q 378 ...

An exceptional loan from the Uffizi Gallery in Florence, Artemisia Gentileschi's shocking Judith Slaying Holofernes (c. 1620), comes to Chicago as the centerpiece of Violence and Virtue: Artemisia ...

Baroque artist Artemisia Gentileschi seemed to be making a statement that women must stand together in her 17th-century version of Judith and Holofernes. (Museo e Real Bosco di Capodimonte) ...

Artemisia Gentileschi's "Judith and Holofernes" (c. 1612-17) and Kehinde Wiley's "Judith and Holofernes" (2012) are on view in the Caroline Weiss Law Building grand lobby near Cullinan Hall.

Still, he adds that a lack of documentation does not necessarily make an object plundered art. Artemisia Gentileschi, Judith Beheading Holofernes, c. 1612 Public domain via Wikimedia Commons ...

Two versions of Artemisia Gentileschi’s “Judith and Holofernes,” both painted around 1613, at the National Gallery in London. National Gallery, London ...

Judy Chicago, who was born in 1939, and Artemisia Gentileschi, who died in the 1650s, lived centuries and continents apart. They did not share a religion, and you’d never mistake one artist’s ...